Glenn Locklee


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Education: 

1981- 86 St George TAFE Art & Post Art Certificate

 

Solo Shows: 

1990 Chroma Aus Scapes, Menzies Hotel Wynyard.

1997 Images From The Salt Pan - James Harvey Gallery.

2002 Landscapes - James Harvey Gallery.

2005 Landscapes - James Harvey Gallery.

 

Group Shows:

NSW Travelling Scholarship

Bondi Pavilion

!995 Gallery Kafka

1998 Smalls, James Harvey Gallery.

1999 Animalistic, James Harvey Gallery.

2001 Top Drawer, James Harvey Gallery.

2002 Pocketsized, James Harvey Gallery.

2004 Xmas Show, James Harvey Gallery.

2007 Different Worlds - 110 Crystal St Petersham.

2007 Smalls x 9 -  110 Crystal St Petersham

2008 Smalls x 9 II - 110 Crystal St Petersham.

2009 Glebe Art Prize

2009 Six Points of View - 110 Crystal St Petersham.

2009 Smalls x 9 III - 110 Crystal St Petersham

2010 Waverley Art Prize

2010 Network - Ballarat Regional Gallery

 

Prizes and Awards

NSW Travelling Scholarship Finalist

1997 Winner contemporary Section - Joseph Banks Prize

2002 Winner Open and Painting Section - Camden Art Prize

2007 Finalist Mosman Art Prize - Mosman Art Gallery

2008 Commended for "Newtown" and "Georges River" Glebe Art Show

2008 Finalist Mosman Art Prize - Mosman Art Gallery

Fishers Ghost, , Willoughby Prize, Waverley Prize etc

 

 

Collections:

St George Hospital Mural

Camden Civic Centre

Private Collections, Japan, U.S, Australia.


This exhibition is a collection of landscapes depicting predominately the Salt Pan Creek – Georges River areas with additional images from around Sydney.   

The paintings move seamlessly between the representational and the abstract in a robust freely rendered expressionist manner.

  The purpose of these pictures is to portray nature through the landscape. The compelling qualities of this subject are its vitality and freshness while displaying infinite capacity for rejuvenation. To express this random energy with static medium such as a painting presents a challenge that is not realized through pictorial mimicry. The use of exaggerated tone and colour accentuate light and shadow while visible drips and under drawing contribute to represent the raw complexity of the landscape. It is the unrefined properties of the mediums used that convey the energies that nature exudes. The non-descriptive textures, drips and lines perform as a metaphor for the randomness of fallen leaves and branches wind, erosion, dappled light etc.

The result is a fresh painterly interpretation of the Australian landscape combining images of abstracted foliage fragments and standard landscapes to depict the painters’ experience.

- from  2002  exhibition - James Harvey Gallery  


 

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